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	<title>Eaton Music</title>
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	<link>http://www.eatonmusic.com</link>
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		<title>Roger Chapman</title>
		<link>http://www.eatonmusic.com/chapman-roger/</link>
		<comments>http://www.eatonmusic.com/chapman-roger/#comments</comments>
		<pubDate>Tue, 11 May 2010 15:50:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://localhost/eatonmusic/?p=67</guid>
		<description><![CDATA[Roger Chapman is the singer best-known in Britain for his work with Family and the 70s r&#8217;n'b band Streetwalkers. In the pre-punk era, Roger was an enormous cult figure on the British rock scene, famed for his spectacular showmanship and soaring vibrato. John Peel, the evergreen Radio 1 DJ, vowed that he&#8217;d travel colossal distances [...]]]></description>
			<content:encoded><![CDATA[<p>Roger Chapman is the singer best-known in Britain for his work with Family and the 70s r&#8217;n'b band Streetwalkers. In the pre-punk era, Roger was an enormous cult figure on the British rock scene, famed for his spectacular showmanship and soaring vibrato. John Peel, the evergreen Radio 1 DJ, vowed that he&#8217;d travel colossal distances to catch a Chapman gig. But in the days when 60s musicians were being indiscriminately pensioned off in this country, upstaged by the Sex Pistols and New Wave Music, Roger poured his energies into performing abroad and thus becoming a rock exile. Through talent and resilience, he rebuilt his career in Germany during the 1980s, packing out venues, promoting a spate of successful albums and enjoying a huge European hit with his impassioned rendition of Mike Oldfield&#8217;s <em>Shadow on the Wall</em>.</p>
<p>Up to 1993, Chapman only played an occasional clandestine gig in Britain but following his successful <em>Kick It Back</em> tour that year he has maintained more of a UK presence, which continues to develop to this day.</p>
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		<title>Louis Clark</title>
		<link>http://www.eatonmusic.com/clarke-louis/</link>
		<comments>http://www.eatonmusic.com/clarke-louis/#comments</comments>
		<pubDate>Thu, 01 Jul 2010 15:14:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.eatonmusic.com/testsite_eaton123/?p=322</guid>
		<description><![CDATA[Louis Clark is a phenomenon in the music world. His work unites the world of rock, pop and classical music and he has achieved what many musicians can only dream of &#8211; a top five single in Britain and a Number One album in the States. Louis grew up in Shropshire; he learned the piano [...]]]></description>
			<content:encoded><![CDATA[<p>Louis Clark is a phenomenon in the music world. His work unites the world of rock, pop and classical music and he has achieved what many musicians can only dream of &#8211; a top five single in Britain and a Number One album in the States.</p>
<p>Louis grew up in Shropshire; he learned the piano and then started music lessons at the age of 14. His musical interests were entirely classical until he was captivated by The Beatles in the 1960&#8242;s. Their music was the first contemporary music to have an influence on him.</p>
<p>After leaving school, Louis was bassist for the Raymond Froggatt Band in Birmingham; he also arranged all the orchestral accompaniments. Preferring arranging to playing, Louis left the band to become a full time arranger.<br />
After studying at the City of Leeds College of Music, Louis met Jeff Lynne of the Electric Light Orchestra. Intrigued by the idea of a full orchestra Jeff invited Louis to work on the ELO album, <em>Eldorado</em>. Since then Louis has written all the orchestral arrangements for their albums.</p>
<p>In addition to his work on the &#8216;<em>Hooked on</em>&#8230;&#8217; projects he has also arranged, conducted and produced several other albums including<em> Seriously Orchestral…Hits of Phil Collins</em> and also albums of the music of Queen, The Beatles and Abba.  In 1997 Louis recorded a &#8216;<em>Hooked On</em>&#8230;&#8217; style album in China with Chinese Broadcasting Symphony Orchestra consisting of his own arrangements of Classical Chinese and Asian music.</p>
<p>Over the past couple of years Louis has given a &#8216;<em>Hooked On</em>&#8230;&#8217;concert in Japan; orchestral concerts of Queen and The Beatles Music in Chile, Argentina, Columbia and Mexico. He also toured the world with <em>ELO Part II</em> for the bands 25th Aniversary.</p>
<p>Louis&#8217; conducted the English Pops Orchestra in December 2011 to celebrate the 30th Anniversary of Hooked on Classics at the Bournemouth International Centre (Bournemouth Daily Echo, <a href="http://www.bournemouthecho.co.uk/leisure/reviews/9436644.Hooked_on_Classics__BIC/?ref=la">Review</a>) More concert dates and venues will be announced for a UK tour in the near future.</p>
<p>For more information on Louis please visit his website,</p>
<p><a href="http://www.louisclark.com">www.louisclark.com</a></p>
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		<item>
		<title>Gareth Cousins</title>
		<link>http://www.eatonmusic.com/cousins-gareth/</link>
		<comments>http://www.eatonmusic.com/cousins-gareth/#comments</comments>
		<pubDate>Thu, 01 Jul 2010 15:14:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.eatonmusic.com/testsite_eaton123/?p=320</guid>
		<description><![CDATA[Gareth Cousins has over 20 years experience in working on music for picture. Originally trained as a recording engineer and producer at EMI’s Abbey Road Studios, he has since become a busy composer of music for film and television for BBC1 and 2, ITV1, Sky One, UKTV, Virgin, Five and Discovery channels. Animation work includes [...]]]></description>
			<content:encoded><![CDATA[<p>Gareth Cousins has over 20 years experience in working on music for picture. Originally trained as a recording engineer and producer at EMI’s Abbey Road Studios, he has since become a busy composer of music for film and television  for BBC1 and 2, ITV1, Sky One, UKTV, Virgin, Five and Discovery channels.</p>
<p>Animation work includes composing the full score and title music for the <em>Impossible TV’s</em>, <em>The Beeps</em> (65 episodes) and <em>Castle Farm</em> (25 episodes), plus trailers and pilot episodes for many other series.</p>
<p>With Phil Collins, he co-wrote and produced the score to <em>Arktos</em> &#8211; the documentary film about Mike Horn&#8217;s two-year solo voyage around the Arctic Circle. He composed the scores for the award winning short films, <em>The Un-Gone</em> (UK Film Council/Screen WM), <em>Magic Hour</em> (Simplistic Films/Sky) and for <em>Studs</em> (UK Film Council/Screen WM), and co-composed the scores for <em>Titanic Town</em> (BBC Films) and <em>The Long Run</em>. He recently completed the score for the feature documentary <em>End Of The Road</em>.</p>
<p>His film music production credits include the BAFTA and Brit award-winning <em>Notting Hill</em>, <em>Thirteen Days</em>, <em>From Hell</em>, <em>Dark City</em>, <em>Desperate Measures</em>. Working with Sting on<em> The Mighty</em> produced a Golden Globe nomination. Music editing work on <em>Batman Begins</em> resulted in an MPSE Golden Reel Nomination. TV film credits include arranging/programming and engineering the soundtracks for the Emmy award-winning <em>Merlin</em>, <em>Cleopatra</em> and <em>Dinotopia</em> mini series.</p>
<p>Recent advertising work includes Rolls-Royce, Motorola and Cadbury.</p>
<p>He has produced or engineered recordings for many artistes including Sting, Elvis Costello, Phil Collins, Vanessa Mae, Boyzone, Shania Twain, Ronan Keating, Roger Daltry, Chesney Hawkes, The Stranglers and Jeff Wayne’s The War Of The Worlds reissue; representing tens of millions of sales around the world. He produced the first songs for the pop string quartet girl band Bond, whose debut album, <em>Born</em>, sold over 2 million copies.</p>
<p>For more information on Gareth please visit his website,</p>
<p><a href="http://www.garethcousins.com/">www.garethcousins.com</a></p>
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		<item>
		<title>Chris Cozens</title>
		<link>http://www.eatonmusic.com/cozens-chris/</link>
		<comments>http://www.eatonmusic.com/cozens-chris/#comments</comments>
		<pubDate>Thu, 01 Jul 2010 15:14:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.eatonmusic.com/testsite_eaton123/?p=318</guid>
		<description><![CDATA[Since 1986 Chris has established an international reputation as one of the best programmers/music editors working in film and television soundtrack music production, contributing original music cues when requested. Chris has acted as music editor and Auricle consultant as well as keyboard/computer programmer on more than 135 feature films from major Hollywood studios including Dreamworks, Warner [...]]]></description>
			<content:encoded><![CDATA[<p>Since 1986 Chris <span style="font-weight: normal; font-size: 13px;">has established an international reputation as one of the best programmers/music editors working in film and television soundtrack music production, contributing original music cues when requested. Chris has acted as music editor and Auricle consultant as well as keyboard/computer programmer on more than 135 feature films from major Hollywood studios including Dreamworks, Warner Bros, Disney, Paramount, Universal, 20th Century Fox and HBO. The music scores Chris has worked on have earned 15 Academy Award Oscar nominations, winning on four occasions.</span></p>
<p>Chris has also met with international success producing over 130 instrumental albums for EMI and Demon as well as library albums for Music House, Noise Pump, EMI and his own Zoommpro company. He has been awarded both gold and silver album awards for sales from the BPI and has worked on many rock sessions including tracks for Terry Britten, John Parr, Harry Nilsson, and Francis Rossi. He has written songs as well as performed production and arranging duties for various record companies and publishing houses including Genie, Peer Southern and The Really Useful Group. Chris has also written advertising jingles and scripts for LBC Radio in London.</p>
<p>A graduate of Leeds Music College, Chris&#8217; early career included work as a session keyboard player and arranger for bands including The Johnny Mars Blues Band and Forcefield &#8211; a band that also included drummer Cozy Powell, guitarists Jan Akkerman and Ray Fenwick, vocalists Tony Martin and Graham Bonet and bassist Neil Murray.</p>
<p>Chris divides his time between the Southern Alps of New Zealand&#8217;s South Island, the USA and the UK &#8211; with projects including song writing; film and television music soundtrack production; and music editing, composing and writing.</p>
<p>For more information on Chris and his music please visit his website and <a href="http://www.youtube.com/results?search_query=zoommpro&amp;aq=f">YouTube</a> channel,</p>
<p><a href="http://www.chriscozens.com">www.chriscozens.com</a></p>
<p><em>Destination Queenstown &#8211; Winter Games</em><br />
 (Advert form New Zealand Winter Olympic Games)</p>
<p><em>Queenstown White Water Rafting &#8211; Digging In</em><br />
 (Promotional Film)</p>
<p><em>Phar Lap Comes Home &#8211; A Documentary in the Making</em></p>
<p>
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]]></content:encoded>
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		<title>Oliver Davis</title>
		<link>http://www.eatonmusic.com/davis-oliver/</link>
		<comments>http://www.eatonmusic.com/davis-oliver/#comments</comments>
		<pubDate>Mon, 13 Jun 2011 14:55:16 +0000</pubDate>
		<dc:creator>Rebecca</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.eatonmusic.com/?p=1886</guid>
		<description><![CDATA[Oliver studied commercial music and contemporary composition at the Royal Academy of Music, graduating in 1994. In his final year he scored British feature film Seaview Knights. He went on to produce albums for both the classical and pop industry working with acts as varied as Toyah Willcox and numerous albums with the Royal Philharmonic [...]]]></description>
			<content:encoded><![CDATA[<p>Oliver studied commercial music and contemporary composition at the Royal Academy of Music, graduating in 1994. In his final year he scored British feature film <em>Seaview Knights</em>. He went on to produce albums for both the classical and pop industry working with acts as varied as Toyah Willcox and numerous albums with the Royal Philharmonic Orchestra. Oliver has since scored the music to 15 TV series such as<em> The Cramp Twins</em>, <em>Humf</em> and <em>Skatoony</em> &#8211; notching up over 400 episodes.</p>
<p>He has scored over 80 TV ad campaigns both here and in the US including AOL, Blockbuster, EDF, Asda, Persil, Olay &amp; McDonalds. Music for films include &#8216;<em>Silence is Golden</em>&#8216;, &#8216;<em>A to Z</em>&#8216; (Winner Best Music San Gio Film festival), &#8216;<em>Over The Hill</em>&#8216;, &#8216;<em>How To Cope With Death</em>&#8216;, &#8216;<em>The Girl and the Horse</em>&#8216; and &#8216;<em>Little Face</em>&#8216;. He has recently recorded his new violin concerto ‘<em>Lost Lake</em>’ at Angel Studios for violinist Jonathan Hill.</p>
<p>For more information on Oliver please visit his website,</p>
<p><a href="http://www.wewritemusic.co.uk/About_us.html">www.wewritemusic.co.uk</a></p>
<h2>Credits</h2>
<h2>CARTOONS</h2>
<h3>Olly the Little White Van</h3>
<p>Currently in production</p>
<h3>Poppy Cat</h3>
<p>(King Rollo/Coolabi, 52 x 11 minutes)</p>
<h3>Humf!</h3>
<p>(King Rollo/E1 Kids!, 78 x 7 minutes)<br />
Nick Junior<br />
<iframe width="425" height="349" src="http://www.youtube.com/embed/b8n-gmSfOhE" frameborder="0" allowfullscreen></iframe></p>
<h3>Ambers Animals</h3>
<p>(Inspire GLG, 13 x 10 minutes)<br />
CiTV</p>
<h3>Oddjobbers</h3>
<p>(Inspire GLG, 26 x 10 minutes)<br />
CiTV</p>
<h3>Skatoony</h3>
<p>(Series 1, 2 and 3 &#8211; 39 x 30 minutes)<br />
Cartoon Network<br />
<iframe width="425" height="349" src="http://www.youtube.com/embed/D6lGV2SttQ0" frameborder="0" allowfullscreen></iframe></p>
<h3>Likeaballs</h3>
<p>(BBC/Cosgrove Hall, 26 x 10 minutes)<br />
CBBC</p>
<h3>Boblins</h3>
<p>(Inspire GLG, 52 x 10 minutes)<br />
CiTV</p>
<h3>The Cramp Twins</h3>
<p>(Telemagination, Series 2, 52 x 11 minutes)<br />
Cartoon Network &amp; BBC<br />
<iframe width="425" height="349" src="http://www.youtube.com/embed/sZMzkZmNvqs" frameborder="0" allowfullscreen></iframe></p>
<h3>Metalheads</h3>
<p>(Telemagination, 6 x 10 minutes)<br />
CBBC</p>
<h3>Something Else</h3>
<p>(Telemagination/Studio B, 26 x 10 minutes)</p>
<h3>Pongwiffy</h3>
<p>(Telemagination, 26 x 11 minutes)<br />
CiTV</p>
<h3>Monsters vs Monsters</h3>
<p>(7 Shorts)<br />
Nickelodeon<br />
Director: Iam Colbart</p>
<h3>Bug Boy</h3>
<p>(Picasso Pictures, 3 Shorts)<br />
Nickelodeon</p>
<h2>FILMS</h2>
<h3>Virgin Moon</h3>
<p>Period Drama<br />
Director: Peter Callow</p>
<h3>Dagmars Friend</h3>
<p>Animated Short<br />
Director: Ian Colbart &amp; Ian Carney</p>
<h3>Plain Pleasures</h3>
<p>Animated Short for Channel 4<br />
Director: Sarah Cox</p>
<h3>Dear Nelson</h3>
<p>Animated Short for Picasso Pictures<br />
Director: Sarah Cox</p>
<h3>How To Cope With Death</h3>
<p>Air/Channel 4 for Tandem Films<br />
Director: Ignasio Feraras<br />
<iframe width="425" height="349" src="http://www.youtube.com/embed/Ah5J_Z2nzOA" frameborder="0" allowfullscreen></iframe></p>
<h3>Inseperable Bonds</h3>
<p>The Moving Picture Company<br />
Director: Dr Frankenskippy</p>
<h3>The Big Top</h3>
<p>Slinky Pictures<br />
Producer: Maria Manton<br />
Director: Rebecca Manley</p>
<h3>The Girl and The Horse</h3>
<p>AIR/Channel 4 for Slinky Pictures<br />
Director: Rebecca Manley</p>
<h3>Silence is Golden</h3>
<p>Slinky Pictures<br />
Director: Chris Sheperd</p>
<h3>Seaview Knights</h3>
<p>Feature<br />
Director: Richard Curtis<br />
<iframe width="425" height="349" src="http://www.youtube.com/embed/jqVwLnapTTw" frameborder="0" allowfullscreen></iframe></p>
<h3>A to Z</h3>
<p>AIR/Channel 4, Animated Short<br />
Director: Sally Arthur<br />
<iframe width="425" height="349" src="http://www.youtube.com/embed/AXuyltVjH3A" frameborder="0" allowfullscreen></iframe></p>
<h3>Over The Hill</h3>
<p>Animated Short<br />
Director: Peter Baynton</p>
<h3>Little Face</h3>
<p>Action/Animation<br />
Mix by: Matthew Walker</p>
<h2>SOUND DESIGN</h2>
<h3>Sucked Up</h3>
<p>Animation/Ch4<br />
By Carl Cresser</p>
<h3>Dead Cow Farm</h3>
<p>Animation/Ch4<br />
By John Parry</p>
<h3>AnnLee You Proposes</h3>
<p>Animated CG Installation for Tate Britain created by MPC</p>
<h3>Eye Ball</h3>
<p>MPC Promotion<br />
Director: Dr Frankenskippy</p>
<h2>STAGE &amp; CONCERT HALL</h2>
<h3>TV22</h3>
<p>Musical<br />
Lyrics and story by Paul Gambaccini</p>
<h3>Playing With Fire</h3>
<p>60 Percussion, for Henley Festival</p>
<h3>To Laura at the Harpsichord</h3>
<p>Harpsichord Concerto, 3 Movements</p>
<h3>Lost Lake</h3>
<p>For Violin and Strings</p>
<h3>Mystery of Reminiscence</h3>
<p>For Cello and Strings</p>
]]></content:encoded>
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		<item>
		<title>Harry Escott</title>
		<link>http://www.eatonmusic.com/escott-harry/</link>
		<comments>http://www.eatonmusic.com/escott-harry/#comments</comments>
		<pubDate>Mon, 13 Jun 2011 14:53:59 +0000</pubDate>
		<dc:creator>Rebecca</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.eatonmusic.com/?p=1855</guid>
		<description><![CDATA[Harry Escott is best known for his scores to films such as Hard Candy, A Mighty Heart, Deep Water and Shifty. His collaborations with directors such as Michael Winterbottom, Nick Broomfield, David Slade and Eran Creevy have greatly influenced his approach to composition, encouraging a focus on the capacity that musical sound has to convey [...]]]></description>
			<content:encoded><![CDATA[<p>Harry Escott is best known for his scores to films such as <em>Hard Candy</em>, <em>A Mighty Heart</em>, <em>Deep Water</em> and <em>Shifty</em>. His collaborations with directors such as Michael Winterbottom, Nick Broomfield, David Slade and Eran Creevy have greatly influenced his approach to composition, encouraging a focus on the capacity that musical sound has to convey meaning and emotion. This focus on the potential for music to function as storyteller is a common theme that threads through all of his work, from the concert platform to the big screen.<br />
Born in London, his musical education began as a chorister at Westminster Cathedral and he went on to complete his studies at The Royal College of Music and Oxford University, studying composition under Robert Sherlaw-Johnson and Francis Pott.<br />
He has composed the scores for several award-winning films such as the BAFTA winning <em>Poppy Shakespeare</em>, Michael Winterbottom’s <em>The Road to Guantanamo</em> (Berlin Silver Bear) and Clio Barnard’s <em>The Arbor</em>, for which he received a nomination in the 2011 Cinema Eye awards. He received a coveted BIFA nomination for his scoring of Shifty in 2008 and has developed the score into a concert piece for his own ensemble, The Samphire Band, which was premiered at last year’s Latitude festival.<br />
Earlier this year, Harry worked with the poet Lavinia Greenlaw on an exciting Artangel project called <em>Audio Obscura</em> (a sound installation designed for train station forecourts). It opened in Manchester Piccadilly station as part of the Manchester International Festival 2011 and then moved on to London’s St. Pancras station.<br />
Harry has just completed the score for Steve McQueen’s latest film, <em>Shame</em>, which has picked up a number of prizes from the film festival circuit. Shame will be in cinemas from December 2011. </p>
<h2>Credits</h2>
<h2>FILM</h2>
<h3>Shame</h3>
<p>(SeeSawFilms/Momentum Pictures/Fox Searchlight)<br />
Director: Steve McQueen</p>
<h3>Axis of Light</h3>
<p>(BBC)<br />
Director: Pia Getty/Nichola Bruce</p>
<h3>The Battle for Barking</h3>
<p>(Darmouth Film/Channel 4)<br />
Director: Laura Fairrie</p>
<h3>I Am Slave</h3>
<p>(Slate Films/Altered Image,Channel 4)<br />
Director: Gabriel Range</p>
<h3>The Arbor</h3>
<p>(Artangel/Verve Pictures)<br />
Director: Clio Barnard</p>
<h3>Shifty</h3>
<p>(Between The Eyes/Metrodome)<br />
Director: Eran Creevy</p>
<h3>Poppy Shakespeare</h3>
<p>(Cowboy Films/Channel 4)<br />
Director: Benjamin Ross</p>
<h3>A Mighty Heart</h3>
<p>(Plan B Entertainment,Revolution Film/Paramount Vantage)<br />
Director: Michael Winterbottom</p>
<h3>Ghosts</h3>
<p>(Lafayette Films/Film4)<br />
Director: Nick Broomfield</p>
<h3>Deep Water</h3>
<p>(APT Films/Pathe, Film4)<br />
Director: Louise Osmond</p>
<h3>Road To Guatanamo</h3>
<p>(Revolution Films/Channel 4)<br />
Director: Michael Winterbottom</p>
<h3>Hard Candy</h3>
<p>(Vulcan Productions/Lionsgate)<br />
Director: David Slade</p>
<h3>Miss Montigny</h3>
<p>(Entre Chien et Loup)<br />
Director: Miel van Hoogenbemt</p>
<h3>Peace One Day</h3>
<p>(Peace One Day Films/BBC)<br />
Director: Jeremy Gilley</p>
<h2>SHORTS</h2>
<h3>Os Olhos Do Farol</h3>
<p>(Photon Films)<br />
Director: Pedro Serrazina</p>
<h3>What&#8217;s Your Name 41?</h3>
<p>(Shipwreck Films)<br />
Director: Marcel Grant</p>
<h2>OTHER</h2>
<h3>Audio Obscura</h3>
<p>2011<br />
A sound installation for train station forecourts. ca. 30&#8242;</p>
<h3>O Virdissima Virga</h3>
<p>2010<br />
7 movement work for choir and chamber ensemble. ca. 40&#8242;</p>
]]></content:encoded>
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		<item>
		<title>Heather  Fenoughty</title>
		<link>http://www.eatonmusic.com/fenoughty-heather/</link>
		<comments>http://www.eatonmusic.com/fenoughty-heather/#comments</comments>
		<pubDate>Thu, 01 Jul 2010 15:14:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.eatonmusic.com/testsite_eaton123/?p=316</guid>
		<description><![CDATA[Born in the North of England, Heather is based in Sheffield, Yorkshire. After reading Music at Sheffield University, she continued her study and specialised in Composition for the Screen at the world-renowned Media School, Bournemouth University. She returned home to Sheffield, and has since carved a niche for herself as one of the foremost upcoming [...]]]></description>
			<content:encoded><![CDATA[<p>Born in the North of England, Heather is based in Sheffield, Yorkshire.</p>
<p>After reading Music at Sheffield University, she continued her study and specialised in Composition for the Screen at the world-renowned Media School, Bournemouth University. She returned home to Sheffield, and has since carved a niche for herself as one of the foremost upcoming respected film, TV and theatre composers and sound designers in the region.</p>
<p>With credits on BBC1, BBC3 and ITV1 documentaries and BBC2 and BBC4 films, she has scored, soundtracked or mixed nearly 100 short films, many of which have won awards, and provided music on corporate advertisements for Nissan and other multi-national companies. Her music has featured on games for XBox and online, and she has provided full post-production audio services for cross-platform narratives, from dialogue editing and recorded sound cleanup, with music and sound effects, to final production, mixing and mastering for web.</p>
<p>As a member of Slung Low, an experimental, new-writing theatre company, her music and sound design have featured heavily in creating personal &#8216;soundtracks&#8217; for immersive theatre experience audiences across the country, including shows at The Barbican (eg Helium, featuring Patrick Stewart), The Almeida &#8211; Islington, The Lowry &#8211; Salford (eg Beyond The Front Line featuring Chris Eccleston) and The Everyman &#8211; LIverpool. She accompanied Punch Drunk theatre company to Florida as their resident composer for the 2008 Sundance Theatre Lab, and this year will travel with Slung Low (between making five other shows with the same team) to Singapore to create sound and music for a new site-specific horror, They Only Come At Night: Pandemic. </p>
<p>She has been Composer-in-Residence for the Arthur C. Clarke Awards since 2009.</p>
<p>For more information on Heather&#8217;s credits and music please visit her website,</p>
<p><a href="http://www.heather-fenoughty.com/">www.heather-fenoughty.com</a></p>
<h2>Credits</h2>
<h2>TELEVISION</h2>
<h3>The John Akii-Bua Story: An African Tragedy</h3>
<p>2008<br />
 (Very Much So Productions)</p>
<h3>North Korea: Crossing The Line</h3>
<p>2007<br />
 (Very Much So Productions)</p>
<h3>Show and Spell</h3>
<p>2006<br />
 (Sort Of… Films/Film Council UK)</p>
<h3>The Way We Worshipped: Christmas Special</h3>
<p>2006<br />
 (True North)</p>
<h3>To Courtney With Love</h3>
<p>2005<br />
 (Mosaic North)</p>
<h3>You, Me and Cancer</h3>
<p>2004<br />
 (Mosaic Films/Lippy TV)</p>
<h2>FILM</h2>
<h3>Mr Bojagi</h3>
<p>2009</p>
<h3>Helium</h3>
<p>2007</p>
<h3>Crossing The Line</h3>
<p>2006<br />
 (BBC 4)</p>
<h3>NITS</h3>
<p>2004<br />
 BAFTA Nomination for Best Short Film in 2005</p>
<h3>Mother, Mine</h3>
<p>2008<br />
 (UK Film Council)</p>
<h3>Private Life</h3>
<p>2006<br />
 (UK Film Council)</p>
]]></content:encoded>
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		<item>
		<title>George Fenton</title>
		<link>http://www.eatonmusic.com/fenton-george/</link>
		<comments>http://www.eatonmusic.com/fenton-george/#comments</comments>
		<pubDate>Thu, 01 Jul 2010 15:13:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.eatonmusic.com/testsite_eaton123/?p=314</guid>
		<description><![CDATA[George Fenton]]></description>
			<content:encoded><![CDATA[<p>George Fenton</p>
]]></content:encoded>
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		<item>
		<title>Olly Fox</title>
		<link>http://www.eatonmusic.com/fox-olly/</link>
		<comments>http://www.eatonmusic.com/fox-olly/#comments</comments>
		<pubDate>Thu, 01 Jul 2010 15:13:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.eatonmusic.com/testsite_eaton123/?p=312</guid>
		<description><![CDATA[Olly Fox studied Drama at Manchester University and Music Design for Film &#38; TV at Bournemouth University. He has composed around 150 scores for radio and television, theatre and short films in collaboration with Channel 4, the BBC, and numerous, renowned theatre companies including the National Theatre, Shakespeare’s Globe, Royal Shakespeare Company, Royal Court and [...]]]></description>
			<content:encoded><![CDATA[<p>Olly Fox studied Drama at Manchester University and Music Design for Film &amp; TV at Bournemouth University. He has composed around 150 scores for radio and television, theatre and short films in collaboration with Channel 4, the BBC, and numerous, renowned theatre companies including the National Theatre, Shakespeare’s Globe, Royal Shakespeare Company, Royal Court and Donmar Warehouse.</p>
<p>Olly has covered many styles from Romantic Classical to East European Gypsy to Cuban Son Montuno, exemplified in his much-lauded score for the RSC’s award-winning 2006 production of <em>Much Ado About Nothing</em> in Stratford and the West End. Olly recently wrote a song cycle for acclaimed Counter-Tenor, Robin Blaze, for <em>Caligari</em>, the BBC Radio 3 adaptation of the German expressionist film <em>The Cabinet Of Doctor Caligari</em>. Olly was a founder-member of The Railtown Bottlers, a skiffle and rockabilly band who became ‘International Street Entertainers of the Year’ and house band on <em>Danny Baker After All</em> (BBC1), playing with Suggs, Nanci Griffith, Squeeze and Alison Moyet, amongst others.</p>
<p>Recent composer credits include, for television and film: <em>The Life &amp; Times of Vivienne Vyle</em> (Saunders &amp; French Productions/BBC), <em>Inside The Mind of Hitler</em> (Timewatch/BBC). For radio: <em>The Wizard Of Oz</em>, <em>Caligari</em>, <em>Dr Faustus</em>, (BBC Radio 3 &amp; 4), and for theatre: <em>Novecento</em> (Donmar Warehouse), <em>Women Beware Women</em>, <em>Therese Raquin</em> (National Theatre), <em>Troilus &amp; Cressida</em>, <em>The Frontline</em> (Shakespeare’s Globe), <em>Much Ado About Nothing</em> (Royal Shakespeare Company/Novello Theatre).</p>
<p>For more information on Olly please visit his website,</p>
<p><a href="http://www.ollyfox.com">www.ollyfox.com</a></p>
<h2>Credits</h2>
<h2>FILM &amp; TELEVISION</h2>
<h3>No Ball Games</h3>
<p>(Irresistible Films)<br />
Director: Richard Pengelly<br />
Producer: Georgina Cowley</p>
<h3>The Life &amp; Times Of Vivienne Vyle</h3>
<p>(BBC, Saunders &amp; French Productions)<br />
 Director: Rupert Jones</p>
<h3>Inside The Mind Of Hitler</h3>
<p>(BBC Timewatch)<br />
 Director: Dave Stewart</p>
<h3>Heavenly</h3>
<p>(Michael Wright Productions)<br />
 Director: Michael Wright</p>
<h3>Royal Collection</h3>
<p>(Endemol/BBC)<br />
 Director: Mary Cranitch</p>
<h3>Changing Rooms (Ariel/Tesco)</h3>
<p>(Serious Pictures)<br />
 Director: Rupert Jones</p>
<h3>Mission Divine</h3>
<p>(World of Wonder/Ch4)<br />
 Director: Dave Hill</p>
<h3>Deep Water</h3>
<p>(APT Film &amp; TV/Ch4)<br />
 Director: Corianna Faith</p>
<h3>The Wall</h3>
<p>(LCPDT)<br />
 Director: Michael Avni</p>
<h2>THEATRE</h2>
<h3> As You Like It</h3>
<p>(Shakespeare&#8217;s Globe)</p>
<h3>The Mysteries</h3>
<p>(Shakespeare&#8217;s Globe)</p>
<h3>The Pride</h3>
<p>(Sheffield Crucible)</p>
<h3>Beauty &#038; The Beast</h3>
<p>(Royal Lyceum)<br />
Director: Neil Murray</p>
<h3>Women Beware Women</h3>
<p>(National Theatre)<br />
 Director: Marrianne Elliot</p>
<h3>Bedlam</h3>
<p>(Shakespeare’s Globe)<br />
 Director: Jessica Swale</p>
<h3>Novecento</h3>
<p>(Donmar Warehouse)<br />
 Director: Roison MacBrinn</p>
<h3>That Face</h3>
<p>(Sheffield Crucible)<br />
 Director: Richard Wilson</p>
<h3>Troilus &amp; Cressida</h3>
<p>(Shakespeare’s Globe)<br />
 Director: Matthew Dunster</p>
<h3>The Tempest</h3>
<p>(Regent’s Park)<br />
 Director: Liam Steel</p>
<h3>The Frontline (2008 &amp; 2009)</h3>
<p>(Shakespeare’s Globe)<br />
 Director: Matthew Dunster</p>
<h3>A Midsummer Night&#8217;s Dream</h3>
<p>(Shakespeare’s Globe)<br />
 Director: Johnathan Munby</p>
<h3>Monkey!</h3>
<p>(West Yorkshire Playhouse)<br />
 Director: Dominic Leclerc</p>
<h3>She Stoops To Conquer</h3>
<p>(Birmingham Repertory)<br />
 Director: Johnathan Munby</p>
<h3>The Member Of The Wedding</h3>
<p>(Young Vic)<br />
 Director: Matthew Dunster</p>
<h3>The Five Wives Of Maurice Pinder</h3>
<p>(National Theatre)<br />
 Director:Sarah Frankcom</p>
<h3>Someone Else&#8217;s Shoes</h3>
<p>Soho Theatre/ETT<br />
 Director: Stephen Unwin</p>
<h3>Much Ado About Nothing</h3>
<p>(RSC/Novello Theatre)<br />
 Director: Marianne Elliot</p>
<h3>Therese Raquin</h3>
<p>(National Theatre)<br />
 Director: Marianne Elliot</p>
<h3>Ghosts</h3>
<p>(The Gate)<br />
 Director: Anna Mackmin</p>
<h3>Things of Dry Hours</h3>
<p>(The Gate/ Royal Exchange)<br />
 Director: Raz Shaw</p>
<h3>Pillars Of The Community</h3>
<p>(National Theatre)<br />
 Director: Marianne Elliot</p>
<h3>Love &amp; Money</h3>
<p>(Young Vic/Royal Exchange)<br />
 Director: Matthew Dunster</p>
<h3>A Number</h3>
<p>(Sheffield Crucible)<br />
 Director:  Johnathan Munby</p>
<h3>Mary Barton</h3>
<p>(Royal Exchange)<br />
 Director: Sarah Frankcom</p>
<h3>Hamlet</h3>
<p>(ETT/West End)<br />
 Director: Stephen Unwin</p>
<h3>Gone To Earth</h3>
<p>(Shared Experience)<br />
 Director: Nancy Meckler</p>
<h3>Thyestes</h3>
<p>(RSC (The Other Place))<br />
 Director: Rebecca Gatward</p>
<h3>King Lear</h3>
<p>(Old Vic/ETT)<br />
 Director: Stephen Unwin</p>
<h3>Mr Kolpert</h3>
<p>(Royal Court)<br />
 Director: Richard Wilson</p>
<h3>The Way Of The World</h3>
<p>(Royal Exchange)<br />
 Director: Matthew Lloyd</p>
<p><em>The Dance</em>, from The Way Of The World</p>
<h3>Secret Heart</h3>
<p>(Royal Exchange)<br />
 Director: Wils Wilson</p>
<h3>Where Do We Live</h3>
<p>(Royal Court)<br />
 Director: Richard Wilson</p>
<h3>Bones</h3>
<p>(Live/Hampstead Theatres)<br />
 Director: Max Roberts</p>
<h3>The Three Birds</h3>
<p>(Gate Theatre)<br />
 Director: Rebecca Gatward</p>
<h3>Two Clouds Over Eden</h3>
<p>(Royal Exchange)<br />
 Director: Matthew Lloyd</p>
<h3>Lifegame</h3>
<p>(Improbable Theatre)<br />
 Director: Phelim McDermott</p>
<h3>RADIO</h3>
<p>BBC Radio 4, <em>The Wizard of Oz</em>, Nadia Molinari</p>
<p>BBC Radio 3, <em>Caligari</em>, Susan Roberts</p>
<p>BBC Radio 3, <em>Dr. Faustus</em>, Nadia Molinari</p>
<p>BBC Radio 3, <em>Love &amp; Money</em>, Matthew Dunster</p>
<p>BBC Radio 3, <em>Tin Man</em>, Nadia Molinari</p>
<p>BBC Radio 4, <em>Beneath Dry Land</em>, Polly Thomas</p>
<p>BBC Radio 3, <em>Like Jude</em>, Nadia Molinari</p>
<p>BBC Radio 4, <em>Shirley</em>, Susan Roberts</p>
<p>BBC Radio 4, <em>Pongo, Sadfish, Blackie &amp; Sid</em>, Nadia Molinari</p>
<p>BBC Radio 4, <em>Millport</em>, Lucy Baron</p>
<p>BBC Radio 4, <em>Through the Looking Glass</em>, Marion Nancarrow</p>
<p>BBC Radio 3, <em>The Ghost of Frederico Lorca</em>, Melanie Harris</p>
<p>BBC Radio 4, <em>The Echoing Waters</em>, Wils Wilson</p>
<p>BBC Radio 4, <em>Wainewright the Poinsoner</em>, Susan Roberts</p>
<p>BBC Radio 4, <em>Desire Lines</em>, Susan Roberts</p>
]]></content:encoded>
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		<title>Carl Harms</title>
		<link>http://www.eatonmusic.com/harms-carl/</link>
		<comments>http://www.eatonmusic.com/harms-carl/#comments</comments>
		<pubDate>Tue, 12 Oct 2010 16:31:24 +0000</pubDate>
		<dc:creator>Rebecca</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.eatonmusic.com/?p=1436</guid>
		<description><![CDATA[Carl has written for tv, radio and film, as well as numerous high profile ad campaigns. His most recent tv work includes the BBC series Secret Britain, and Empire Of the Seas, a 4 part history of the British Navy presented by Dan Snow. His ad work includes campaigns for BT, Budweiser, Guinness, NTL and [...]]]></description>
			<content:encoded><![CDATA[<p>Carl has written for tv, radio and film, as well as numerous high profile ad campaigns. His most recent tv work includes the BBC series Secret Britain, and Empire Of the Seas, a 4 part history of the British Navy presented by Dan Snow.</p>
<p>His ad work includes campaigns for BT, Budweiser, Guinness, NTL and Special K.</p>
<p>Carl has been commissioned to write in a wide range of styles, from orchestral works  to jazz, from electronica to folk. He has also had success as a pop producer, achieving top 10 success whilst living in Ireland.</p>
<h2>Credits</h2>
<h2>TELEVISION</h2>
<h3>Trawlermen</h3>
<p>Series 2, 3  &amp; 4<br />
 (BBC 1)</p>
<p><em>Pair Luck</em>, from Trawlerman</p>
<p><em>Fire</em>, from Trawlermen</p>
<p><em>Johnathan&#8217;s Diaries</em>, from Trawlermen</p>
<p><em>Venture Storm</em>, from Trawlermen</p>
<p><em>Tail Buoy</em>, from Trawlermen</p>
<p><em>Pair Nets</em>, from Trawlermen</p>
<h3>Secret Britain</h3>
<p>(BBC1)</p>
<h3>Empire Of The Seas</h3>
<p>(BBC2)</p>
<p><em>Arms Race</em>, from Empire of the Seas </p>
<h3>Gears &amp; Tears</h3>
<p>(BBC 1)</p>
<h3>Rock’n’Roll Hotel</h3>
<p>(BBC 1)</p>
<p><em>Meet Mark Fuller</em>, from Rock &#8216;n&#8217; Roll Hotel</p>
<p><em>Xmas</em>, from Rock n Roll Hotel</p>
<h3>Tourettes: I Swear I Can’t Help It</h3>
<p>(BBC 1)</p>
<p><em>Partners</em>, Tourettes: I Swear I Can&#8217;t Help It</p>
<h3>Crude Britannia: A History Of North Sea Oil</h3>
<p>(BBC 4)</p>
<h3>Fix My Fat Head</h3>
<p>(BBC 3)</p>
<h3>Prince John: The Windsor’s Tragic Secret</h3>
<p>(Channel 4)</p>
<h3>Wild Things</h3>
<p>(Channel 4)</p>
<h3>Cutting Edge: Watch Out, Bailiff’s About</h3>
<p>(Channel 4)</p>
<p><em>Buy Now Pay Later</em>, from Cutting Edge: Watch Out Bailiffs About</p>
<h3>My Holiday Hostage Hell</h3>
<p>(Virgin)</p>
<h3>The Ends Of The Universe: Hubble’s Final Chapter</h3>
<p>(Discovery)</p>
<p><em>Final Tweaking</em>, from The Ends of the Universe: Hubble&#8217;s Final Chapter</p>
<h3>Brilliant Britain</h3>
<p>(Blighty)</p>
<h3>Ri Ra</h3>
<p>(RTE 2 Ireland)</p>
<h3>Live At 3</h3>
<p>(RTE 1 Ireland)</p>
<h3>Ardan</h3>
<p>(TV3 Ireland)</p>
<h3>No Disco</h3>
<p>(RTE 2 Ireland)</p>
<h2>TV ADVERTISEMENT</h2>
<h3>Guinness Extra Cold</h3>
<h3>Budweiser</h3>
<h3>NTL</h3>
<h3>BT</h3>
<h3>Special K</h3>
<h3>Aer Lingus</h3>
<h3>Harp</h3>
<h3>Allied Irish British</h3>
<h3>Bank of Ireland</h3>
<h3>Club Orange First Active Building Society</h3>
<h3>Irish Life BUilding Society</h3>
<h3>Ulster Bank</h3>
<h3>BPM Energy Drink</h3>
<h2>RADIO</h2>
<h3>Brief Lives</h3>
<p>Series 1, 2 &amp; 3 (BBC Radio 4)</p>
]]></content:encoded>
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